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BYZ+ROM+GOTH+IT GOTH

By ramieve
  • Andrei Rublev, The Trinity, c. 1410 or 1425-27, tempera on wood, 142 × 114 cm, Tretyakov Gallery, Moscow, Byzantine
    1410 BCE

    Andrei Rublev, The Trinity, c. 1410 or 1425-27, tempera on wood, 142 × 114 cm, Tretyakov Gallery, Moscow, Byzantine

    The trinity is one God in three persons, Father, Son, and the Holy Spirit. The art depicts three figures, all with the same facial features, symbolizing unity, divinity, and salvation.
  • Cimabue, Santa Trinita Maesta, c. 1290-1300, 385 cm × 223 cm, Uffizi Gallery, Florence, Italian Gothic
    1290 BCE

    Cimabue, Santa Trinita Maesta, c. 1290-1300, 385 cm × 223 cm, Uffizi Gallery, Florence, Italian Gothic

    Cimabue's Santa Trinita Maesta is one of the most important works that represent the transition from traditional Byzantine art. This piece of art displays the authority of the Virgin as the Mother of God and protector of faith.
  • Cimabue, Crucifix, c.1287-1288, distemper on wood panel, 433 x 390 cm, Santa Crose, Florence, Italian Gothic
    1287 BCE

    Cimabue, Crucifix, c.1287-1288, distemper on wood panel, 433 x 390 cm, Santa Crose, Florence, Italian Gothic

    Crucifix by Cimabue emphasizes Christ's humanity and suffering. We could see the gold background, symbolizing divine light. The crucifix was partially damaged in the 1966 Florence flood, making it a symbol of cultural restoration.
  • Cimabue, The Flagellation of Christ, c.1280, wood, tempera, 24.7 cm x 20 cm, The Frick Collection, New York, Italian Gothic
    1280 BCE

    Cimabue, The Flagellation of Christ, c.1280, wood, tempera, 24.7 cm x 20 cm, The Frick Collection, New York, Italian Gothic

    The Flagellation of Christ is a rare surviving example of a small-scale devotional panel from Cimabue. This panel depicts a major episode of the Passion. This is the only work by Cimabue in a public collection in the United States.
  • Cimabue, Madonna Enthroned with the Child and Two Angels, c.1280, panel and tempera, 218 cm x 118 cm, Uffizi Gallery, Florence, Italy, Italo-Byzantine
    1280 BCE

    Cimabue, Madonna Enthroned with the Child and Two Angels, c.1280, panel and tempera, 218 cm x 118 cm, Uffizi Gallery, Florence, Italy, Italo-Byzantine

    Madonna Enthroned with the Child and Two Angels (1280) is significant to the Italo-Byzantine period because it was where the figures started to look more realistic compared to the Byzantine style. Some of the main characteristics are the gold background, elongated figures, and hierarchical scale.
  • Period: 1200 BCE to 1400 BCE

    Italian Gothic (Italo-Byzantine)

    -Classic Italo-Byzantine style
    -gold backgrounds
    -frontal figures
    -strong outlines
    -elongated figures
    -hierarchical scale.
    -iconic figures
    -major artists: Cimabue, Duccio di Buoninsegna, Giotto di Bondone, Bonaventura Berlinghieri, Berlinghiero Berlinghieri and many more.
  • Stavelot Triptych, c. 1156–58, gold and enamel, 48 x 66 cm open, The Morgan Library and Museum, New York, Romanesque
    1156 BCE

    Stavelot Triptych, c. 1156–58, gold and enamel, 48 x 66 cm open, The Morgan Library and Museum, New York, Romanesque

    The Stavelot Triptych is a Romanesque reliquary made from gold, silver, enamel, and gems. It was used for prayer, veneration, and display to pilgrims, showing religious devotion and wealth.
  • Period: 1150 BCE to 1500 BCE

    Gothic Art

    -strong realism
    -fine detail
    -emotional, expressive figures
    -symbolism in everyday objects
  • Unknown artist, Last Judgment Tympanum from Cathedral of Saint Lazare, Autun, c. 1130–46, carved stone,  6.70m wide on 3.60m high, Autun, France, Romanesque
    1130 BCE

    Unknown artist, Last Judgment Tympanum from Cathedral of Saint Lazare, Autun, c. 1130–46, carved stone, 6.70m wide on 3.60m high, Autun, France, Romanesque

    The Last Judgment Tympanum was designed to inspire "fear of the Lord".Angels and demons pull souls toward heaven or hell, warning viewers about the consequences of sin. It was used as a teaching tool.
  • Master Hugo, The Bury Bible, c.1130–35, Bury St Edmunds, England, MS 2, fol. 94, Corpus Christi College, Cambridge, Romanesque
    1130 BCE

    Master Hugo, The Bury Bible, c.1130–35, Bury St Edmunds, England, MS 2, fol. 94, Corpus Christi College, Cambridge, Romanesque

    The Bury bible is a manuscript, remarkable for its rich, luminous color; not a lot of gold is used, and the drapery is shown more realistically. Monks used the Bury bible for reading, teaching, and devotion. It shows a mix of bold medieval style and early naturalism.
  • Santiago de Compostela, c.1075, granite, 74 metres tall, Galicia, Spain, Romanesque
    1075 BCE

    Santiago de Compostela, c.1075, granite, 74 metres tall, Galicia, Spain, Romanesque

    Santiago de Compostela is the final destination of the Camino de Santiago, the most famous medieval pilgrimage route in Europe. It represents the high point of Romanesque architecture; it was believed to house the tomb of Saint James the Apostle. The floor plan is in the shape of a Latin cross, with a long nave, transepts, and an apse.
  • Period: 1000 BCE to 1156 BCE

    Romanesque Art

    -thick, heavy stone walls
    -rounded arches
    -small, narrow windows
    -elongated, stylized figures
    -strong religious themes
    -architecture and art shaped by pilgrimage culture
    -pilgrimage
  • Justinian mosaic, c. 547 CE, glass tesserae with gold, San Vitale, Ravenna, Italy, Byzantine
    540 BCE

    Justinian mosaic, c. 547 CE, glass tesserae with gold, San Vitale, Ravenna, Italy, Byzantine

    The Justin Mosaic, San Vitale, shows Emperor Justinian I at the center as both a political and religious figure. He is accompanied by soldiers to his right and a priest to his left. All figures are shown in a frontal pose; there is also a lot of gold being used, which depicts divinity.
  • Hagia Sophia
    532 BCE

    Hagia Sophia

  • Period: 500 BCE to 1453

    Byzantine Art

    -emphasized spiritual expression
    -iconic imagery
    -mosaics
    -illuminated manuscripts
    -gold background
    -flat no 3
    -ICONS