Medieval/Renaissance Timeline

  • 500

    Medieval Period

    The Medieval era in Western music began around 500 CE and lasted until approximately 1400. It includes Gregorian chant, early polyphony, and the development of musical notation.
  • 1025

    Guido of Arezzo's Micrologus

    Guido of Arezzo, an Italian Benedictine monk, wrote Micrologus, a treatise that introduced the four-line staff and solmization (the precursor to solfege). This greatly improved music literacy.
  • 1098

    Hildegard of Bingen Born

    From 1098-1179, Hildegard was a German abbess, composer, and mystic. One of the earliest known female composers, her works include chants and liturgical music notable for their originality and expressiveness.
  • 1320

    Ars Nova Treatise

    Written by Philippe de Vitry, Ars Nova introduced innovations in rhythm and notation that allowed for greater rhythmic complexity, marking a shift in musical style in 14th-century France.
  • 1400

    Renaissance Period

    From 1400-1600 CE, The Renaissance was a period of rebirth in arts and culture. In music, it featured smoother polyphony, a focus on text expression, and the rise of secular genres like the madrigal.
  • 1529

    Luther: Ein feste Burg

    Martin Luther's famous chorale “A Mighty Fortress Is Our God” became an anthem of the Reformation, written to be sung by congregations in the vernacular.
  • 1538

    Arcadelt: Il bianco e dolce cigno

    This madrigal by Jacques Arcadelt is one of the most famous early Italian madrigals. It blends expressive text-setting with elegant polyphony and helped popularize the genre.
  • 1567

    Palestrina: Pope Marcellus Mass

    Published by Giovanni Pierluigi da Palestrina, this Mass is traditionally credited with preserving polyphony in the Catholic Church by demonstrating its clarity and spiritual power during the Council of Trent.
  • Victoria: Missa O magnum mysterium

    A Mass setting by Spanish composer Tomás Luis de Victoria, based on his earlier motet. It's a brilliant example of late Renaissance sacred music marked by expressive intensity.