Marilyndip scaled

Pop Art

  • Period: to

    G.I. Bill (Servicemen's Readjustment Act of 1944)

    :A Program that had later iterations meant to help WW2 veterans readjust to civilian life after returning.
    : some of the benefits involved low-cost mortgages, low-interest loans, and other financial support.
    :However, despite this, it seems to have not worked out for Black veterans, who were largely denied any support that this bill offered.
  • I Was A Rich Man's Plaything

    I Was A Rich Man's Plaything

    Eduardo Paolozzi, I Was A Rich Man's Plaything,1947, collage, 359x238mm,Tate Museum, London.
    : One of the first art pieces of the Pop Art movement, carrying the word that gave it a name in this collage of images.
    :However the word in this work is almost sinister in a way, as it's layered over a gun that is pointed at the woman on the left.
    : And she herself is raised up over images of coca cola and flying bomber planes, pointing to a disconnect from reality that was common for these mags.
  • Period: to

    British Pop Art

    This movement, while still using familiar images of pop culture and Americana, started much earlier due to the GI bill and restoration of Europe.
    :Looked to this burgeoning American culture with both a critical eye and desire as well.
    :Of these two movements, was the first to really try breaking down barriers between life and art.
  • Period: to

    European Recovery Program

    :A program meant to help Europe get back on it's feet while also influencing it with the American way of life.
    :This was meant to halt the spread of Communism from Russia.
    :It also was used to help reestablish trade routes that were destroyed during the two World Wars.
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    American Pop Art

    Not a heavily defined timeline, they are just generally around these times.
    :Art like this used familiar pop culture images to collage and critique many different facets of society.
    :Things like the Lavender Scare, racial tensions and consumer culture were all under fire.
    : Some used comic book pages, some used repetition, but many used bright colors in their works along with those familiar images to appeal to more people.
  • Fun House

    Fun House

    Richard Hamilton, Fun House, 1956, multi-media installation, unknown location.
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  • Works Cited

    Tate. “‘I Was a Rich Man’s Plaything’, Sir Eduardo Paolozzi, 1947.” Tate, www.tate.org.uk/art/artworks/paolozzi-i-was-a-rich-mans-plaything-t01462. Accessed 14 Nov. 2025.