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Orientalism originates from the Western fascination with and interpretation of Eastern cultures. This was a method of appropriating and adaptation of styles and motifs of the East. For the Etruscans, this meant
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Carriages like these were used to display the body of the deceased during a funeral. Mourners would watch their loved one on display, who would then be carted through the town to its final destination. This carriage was not used by everyone, another exclusive treatment for the rich.
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Artwork of this period characteristically incorporated symmetrical proportions, naturalistic figures, and emotive faces – often smiling. Much more artistic focus was put on the human body and its features, such as with nude female votive offerings (Kore) and nude male grave markers (Kouros). Pottery moved significantly from geometric shapes to decorated tales.
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Life-sized marble kouros. The figure’s hair is more reminiscent of Egyptian styles, while its large eyes resemble those of the Sumerian votive figures. Influence from other cultures is prevalent in early Greek art, before they formed their own identity.
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A Necropolis. Many rooms were built distinctly like a domestic space, meant to bridge the gap between the living and the domestic afterlife. Like many burial structures, the walls are decorated to reflect the Etruscan afterlife through household tools of the deceased. Contains the Tomb of the Triclinium as well, a chamber tomb with painted wall artwork depicting men and women in practices of recreation. The women and men are shown with equal heights, suggesting profound gender equality.
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This period is broken into three segments: the Early, High, and Late Classical Periods. Early Classical artwork focused on naturalistic and mathematically perfect proportioned figures. High Classical artwork bridges the gap between the Late Classical period's usage of kinetic poses, where experimentation beyond perfection was practiced.
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Dual statues of two Greek Warriors. Early Classical Greek art continued heavy usage of heroic nudity, where figures (mostly gods and people of power) would be shown fully nude and with idealized proportions to cement their perfection.
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Large statue of the classical Chimera, being a lion with a goat head on its shoulder and a snake for a tail. This creature was a symbol of chaos, where depictions were used as a votive offering to restore or maintain balance. Etruscan art had, at this point, linked itself with much more detailed mythology.
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Stele relief showcasing the culmination of artistic efforts during the Late Classical Period. Figure depictions moved over time from still, symmetrical depictions to asymmetrical and kinetic poses.
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Age of Alexander the Great, known for his empirical reign spanning Macedonia to Ariana. Hellenistic art has a cosmopolitan subject matter, with themes such as humanism and realism.
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Artwork depicting the Battle at Issus, where the Greeks and Persians fought. This battle only happened around 300 BCE, suggesting its legendary status being depicted in art hundreds of years later.