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This work is a late 16th-century German (likely Nuremberg) painting; it depicts what looks like a distinguished man with a serious demeanor and glance, wearing rich clothes, possibly by a follower of Dürer. The painting itself is relatively small but still shows off the artist's skill with all the details. -
Depicts the world on the third day of Creation. The left panel shows God presenting Eve to Adam in Eden, the middle panel shows naked figures engaging in sin, and the right panel shows a chaotic Hell where sinners are tormented. -
Focused on intense realism, detailed textures, and symbolism, using oil paints to capture everyday life, landscapes, and moral themes, distinct from Italy's classicism.
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Shifted from medieval styles and revived classical Greek/Roman ideals. With a focus on humanism, realism, and naturalism, using techniques like linear perspective, light/shadow (chiaroscuro), and detailed anatomy.
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The Christ Pantocrator in Istanbul's Hagia Sophia is the central part of the famous Deësis mosaic and also an example of late 13th-century Byzantine art. Christ is in the middle, with the Virgin Mary and St. John the Baptist flanking him, praying on behalf of humanity for mercy at the Last Judgment.