Image 2025 11 02 171003999

Rome

By Lu_Lu
  • Period: 509 BCE to 27 BCE

    Roman Rebublic

    Rome was mainly founded on the principles of Greece at this time. They had not yet become an empire; instead, there was a powerful oligarchic senate that controlled Rome.
  • Head of a Roman Patrician, 75 BCE, marble, Palazzo Torlonia, Rome
    75 BCE

    Head of a Roman Patrician, 75 BCE, marble, Palazzo Torlonia, Rome

    The Roman Patrician is a prime example of Roman verisim at work. The seriousness of his expression, along with the careful sculpting of his imperfections as an aged man. It shows what Rome saw as wise at the time.
  • Portrait of a Roman General, 60 BCE, marble, Sanctuary of Hercules Victor, Tivoli
    60 BCE

    Portrait of a Roman General, 60 BCE, marble, Sanctuary of Hercules Victor, Tivoli

    The portrait of a Roman General is a merging of Roman and Greek sculpture in the most literal sense to connect this general to Greek ideas of strength. The Roman head of the general even has a veristic expression to symbolize strength.
  • Period: 27 BCE to 96

    Early Empire

    The early Empire is a time of great change in Rome. With the death of Juilis Caesar, the Emperors of Rome were formed one after another.
  • Augustus of Primaporta, 20 BCE, marble, Vatican Museums
    20 BCE

    Augustus of Primaporta, 20 BCE, marble, Vatican Museums

    The Augustus of Primaporta is the symbol for many things in the Roman world. The first Emperor, the end of the Republic, mass propaganda on a sculpture. It told everyone that the entire pantheon was enforcing his will and justifying his every word.
  • Togatus Barberini, 11 BCE, marble, Capitoline Museums, Rome, Italy
    11 BCE

    Togatus Barberini, 11 BCE, marble, Capitoline Museums, Rome, Italy

    The Togatus Barberini is a role model for all Roman citizens. It represents the concept of worshiping ancestors. The central figure, most likely a patrician, holding two busts of his ancestors.
  • Roman Coloseum, 60 CE, Rome
    60

    Roman Coloseum, 60 CE, Rome

    The most famous building in the Roman world. This Colosseum served as a distraction from Roman problems and to focus the Roman citizens' attention on entertainment.
  • Arch of Titus, 81 CE, marble, Rome
    81

    Arch of Titus, 81 CE, marble, Rome

    The Arch of Titus was made to celebrate the return of Titus and his men from Jerusalem. It featured reliefs such as Titus's men carrying home the spoils of war.
  • Period: 240 to 500

    Early Christian

    The early Christian period is full of encripted meanings in Roman art that could have religious value to Romans and Christians. They did this because of the taboo nature of early Christianity, until it was legalized by Constantine.
  • Period: 300 to 315

    Late Empire

    The late imperial period was the time in Rome that preceded the fall of Rome and the rise of Christianity.
  • Tetrarchs,305, Porphyry, Constantinople
    305

    Tetrarchs,305, Porphyry, Constantinople

    The Tetarchs were a bizarre statue from late Imperial Rome. It was from the time when Rome was temporarily run by four emperors. Another defining feature is how it almost seems to devolve the hundreds of years of Greek and Roman sculpture into something much more archaic.
  • Basilica of Maxentius & Constantine, marble, bronze, Rome
    310

    Basilica of Maxentius & Constantine, marble, bronze, Rome

    The Basilica of Maxentius Constantine was intended to have a grand, overwhelming presence of Roman power to it. Every aspect of the building seemed to be upscaled, especially the arches.
  • Arch of Constantine, 315,  marble and porphyry, Rome
    315

    Arch of Constantine, 315, marble and porphyry, Rome

    The Arch of Constantine was another one of Rome's arches dedicated to the greatness of an Emperor. This one featured Constantine, whom it worshiped. Constantine was a revolutionary Emperor at the time for legalizing the practice of Christianity.
  • Christ as the Good Shepherd, 330, marble, Museo Pio Cristiano, Vatican Museums, Rome
    330

    Christ as the Good Shepherd, 330, marble, Museo Pio Cristiano, Vatican Museums, Rome

    Christ as the Good Shepherd is a symbol of Christian encrypted sculpture. The sculpture reuses old Greek and Roman religious ideas to tell a new story in a Christian context.