High Renaissance and Baroque art: A shift from balance and ideal proportions to dramatic and expressive art. to

  • Michelangelo Buonarroti (1475–1564) (High Italian Renaissance)
    1475

    Michelangelo Buonarroti (1475–1564) (High Italian Renaissance)

    Michelangelo Buonarotti was a painter, sculptor, architect, and poet. His followers often felt his art was other worldly. He is also one of the most written about artists.
  • Period: 1490 to 1527

    High Italian Renaissance Art

    This period contained art the commonly featured perfect and balanced compositions. Much of the art also had idealized and naturalistic human figures. IT is considered the height of art in Italy.
  • Michelangelo, David, marble, 1501–04 (Galleria dell’Accademia, Florence), (High Italian Renaissance)
    1501

    Michelangelo, David, marble, 1501–04 (Galleria dell’Accademia, Florence), (High Italian Renaissance)

    The statue created by Michelangelo was carved out of a stone names the "The White Giant", other artists had failed to carve something while Michelangelo created one of the most well known sculptures of all time. The art contains a realistic and idealistic figure with high level of details.
  • Caravaggio (1571–1610) (Italian Baroque)
    1571

    Caravaggio (1571–1610) (Italian Baroque)

    Caravaggio grew up during a period with heavy religious themes and aspects not only in art but in real life too. He was known for being dashing and quick with his art. To others his personal life seemed to be very dark and dramatic which can be reflected in his art with its harsh lighting with realistic figures.
  • Diego Velázquez (1599–1660) Spanish Baroque

    Diego Velázquez (1599–1660) Spanish Baroque

    He is known for his high level skill with live models and still life being able to capture scenes within real life and creating them with immense detail and realism. Around 1622 his art impressed the Royals which had him appointed as the court painter with him being the only one able to portray the king.
  • Caravaggio, Judith Beheading Holofernes, 1599, Galleria Nazionale d’Arte Antica, (Italian Baroque)

    Caravaggio, Judith Beheading Holofernes, 1599, Galleria Nazionale d’Arte Antica, (Italian Baroque)

    This artwork depicts the biblical story of Judith who beheaded Holofernes to save her people. While much of the art during about this scene depicts the event after displaying the head this art work shows the process of the beheading. This art is a very dramatic depiction with its use of heavy contrast in lighting and lots of action. It draws the viewer in with dramatic and heavy emotion common during this period.
  • Period: to

    Spanish Baroque Art

    Dramatic light was often used to depict realism and strong religious themes during this period. Tenebrism was often found within art during this period.
  • Period: to

    Italian Baroque Art

    This period began after the Renaissance and is know for dramatic art filled with emotion. Much of the art had dramatic lighting which was termed chiaroscuro.
  • Period: to

    Dutch Baroque Art

    Much of the art during this period focused on realism and chiaroscuro. More focus was put onto realism and mood rather than making art grand and religious.
  • Rembrandt van Rijn (1606–1669) Dutch Baroque

    Rembrandt van Rijn (1606–1669) Dutch Baroque

    His life began as an academic but he later decided that the academic life was not for him so he later began a apprenticeship as a painter. Much of what he was told was to study Italian art but he preferred to study and explore the art in his native country. Some of his influence can be traced to Caravaggio as he developed his technique with light and shadow creating highly unique detailed art.
  • Rembrandt, The Lamentation over the Dead Christ, 1635, Oil on paper and pieces of canvas, mounted on wood, 31.9 × 26.7 cm, The National Gallery, (Dutch Baroque)

    Rembrandt, The Lamentation over the Dead Christ, 1635, Oil on paper and pieces of canvas, mounted on wood, 31.9 × 26.7 cm, The National Gallery, (Dutch Baroque)

    This depiction of Christ gives off the mood of somber with its level of shadowing and color. Despite not looking ultra realistic it is still packed with detail within the background and foreground but feels more somber than chaotic with it's shadowing and color.
  • Diego Velázquez: Las meninas, oil on canvas, c. 1656; in the Prado Museum, Madrid. (Spanish Baroque)

    Diego Velázquez: Las meninas, oil on canvas, c. 1656; in the Prado Museum, Madrid. (Spanish Baroque)

    This art work depicts the process of him painting a royal member in his studio room. The lighting primarily focuses on the subject which is the royal member however, his details of the studio include his paintings. His level of detail create the entire seen and gives the viewer the impression that they are simply looking through a window rather than a painting. He also gets to express and brag about his level of detail with his paintings within paintings.