Línea del tiempo de música

By Macarronesconqueso14.
  • Epitaph of seikilos
    1 CE

    Epitaph of seikilos

    the epitaph of Seikilos is a musical inscription engraved on a marmol column in commemoration of Seikilos´ wife, Euterpe. It is the oldest complete melody ever found.
  • 6

    Gregorian chant

    type of plainchant, simple, monophonic, with music subordinated to the text used in the liturgy of the Catholic Church
  • Period: 992 to 1050

    Guido d' Arezzo

  • Period: 1098 to 1779 BCE

    Hildegard Bon Bingen

  • Period: 1135 to 1201

    Léonin

  • Period: 1135 to 1194

    Bernart de Ventadorn

  • Period: 1160 to 1230

    Perotín

  • Period: 1170 to 1310

    Ars Antiqua

    Refers to the music of late medieval.
  • Period: 1221 to 1284

    Alfonso X el sabio

  • Period: 1300 to 1450

    Ars Nova

    Is an expression due to the theorist Philippe de Vitry that designates the musical production , both french and italian, after the last works of the ars antiqua until the predominance of the Burgundian school.
  • Period: 1300 to 1377

    Guillaume de Machaut

  • Period: 1335 to 1397

    Francesco Landini

  • Period: 1400 to 1468

    Johanes Gutenberg

  • Period: 1468 to 1529

    Juan del Encina

  • Period: Nov 10, 1483 to Feb 18, 1546

    Martín Lutero

  • Period: 1500 to 1553

    Cristóbal de Morales

  • Period: Mar 30, 1510 to Mar 26, 1566

    Antonio de Cabezón

  • Period: Dec 17, 1525 to

    Giovanni Pierluigi da Palestrina

  • Period: 1532 to

    Orlando di Lasso

  • Period: 1533 to

    Andrea Gabrieli

  • Period: 1544 to

    Maddalena Casulana

  • Period: 1548 to

    Tomás Luis de Victoria

  • Period: 1557 to

    Giovanni Grabieli

  • Period: Mar 8, 1566 to

    Carlos Gesualdo

  • Period: to

    Giacomo Carissimi

  • Period: to

    Barbara Strozzi

  • Period: to

    Antonio Vivaldi

  • Period: to

    George Philipp Telemann

  • Period: to

    Georg Friedrich Händel

  • Period: to

    Johann Sebastián Bach

  • Period: to

    Gluck (1714–1787)

    Works: Orfeo ed Euridice
    Info: Reformed opera to make music serve the drama.
  • Period: to

    J. Haydn (1732–1809)

    Works: London Symphonies, The Creation
    Info: Father of the symphony and string quartet.
  • Period: to

    Mannheim School (c. 1740–1780)

    Works: Orchestral symphonies
    Info: Developed orchestral dynamics (crescendo).
  • Period: to

    W. A. Mozart (1756–1791)

    Works: The Magic Flute, Symphony No. 40
    Info: Genius of melody; wrote in all genres.
  • Period: to

    Maria Theresia von Paradis (1759–1824)

    Works: Piano concertos, songs
    Info: Blind pianist; promoted piano music.
  • Period: to

    Beethoven (1770–1827)

    Works: Symphony No. 5, Symphony No. 9
    Info: Transition from Classical to Romantic.
  • Period: to

    Rossini (1792–1868)

    Works: The Barber of Seville
    Info: Fast, joyful Italian opera.
  • Period: to

    Schubert (1797–1828)

    Works: Ave Maria, Winterreise
    Info: Master of art songs (Lieder).
  • Period: to

    Schumann (1810–1856)

    Works: Carnaval, Dichterliebe
    Info: Very emotional, poetic music.
  • Period: to

    Wagner (1813–1883)

    Works: The Ring Cycle
    Info: Leitmotifs and long music dramas.
  • Period: to

    Verdi (1813–1901)

    Works: La Traviata, Aida
    Info: Powerful drama and melody.
  • Period: to

    Brahms (1833–1897)

    Works: Symphony No. 1, Hungarian Dances
    Info: Romantic but strict classical forms.
  • Period: to

    Puccini (1858–1924)

    Works: La Bohème, Madama Butterfly
    Info: Emotional, realistic opera.
  • Period: to

    Gustav Mahler (1860–1911)

    Works: Symphony No. 5
    Info: Huge symphonies, deep emotion.
  • Period: to

    Hugo Wolf (1860–1903)

    Works: Lieder based on poetry
    Info: Intense word–music connection.